BLACK ORPHEUS

The Auteurs

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by

BASSEKOU KOUYATE

Title: Ngoni Fola

I've been planning out a trip to Mali and Senegal for a few months and I'm getting ready to leave soon. I failed in persuading Amato to come along-- although I have a feeling if it was Maui instead of Mali, it might have worked. Meanwhile these two west African countries have incredibly rich musical traditions that have had immense impact on popular American music. I've been lucky to have introductions to musicians in both countries. I didn't know much about Bassekou Kouyate-- aside from the fact that he's a cool ngoni player, did some work with Dee Dee Bridgewater and Taj Mahal and that he is at the Royal Albert Hall in London tonight and has a killer My Space page and a wonderful EPK. I'll write back from Bamako after I see him play live in a few weeks. For now, I hope you enjoy his music as much as I do.

MUSIC OF NORTH AFRICA

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Thursday, February 19, 2009

CULTURE MUSIC CLUB ZANZIBAR

2009 only / all years

Culture Musical Club

Zanzibar

Culture Musical Club

style

taarab / traditional

festivals

Sauti za Busara 2005, 2006, 2007, 2008, 2009

recordings

Taarab 4: The Music of Zanzibar – Culture Musical Club (1988, GlobeStyle), Spices of Zanzibar (1996, Network), Kidumbak Kalcha: Ng ’ambo – The Other Side of Zanzibar (1997, Dizim), Bashraf – Taarab Instrumentals from Zanzibar (2000, Dizim), Waridi – Parfums de Zanzibar (2003, Jahazi), Zanzibar – De l’âme à la danse / Zanzibar – Soul & Rhythm (2003, Jahazi)

Feb 2009

Thu 12, 7:05pm Old Fort - Mambo Club

Zanzibar, island of spices and meeting point of the trade winds... Imagine a stroll down Stone Town’s narrow alleys, mansions built of coral rag, intricately carved and brass-studded doors—witnesses of past glory—balconies high up to catch a tropical breeze, the aroma of spicy food, cloves, cardamom, pilipili, coconut-scented rice, the muezzin’s calls for prayer at sunset. With all this you have got the visual and sensual equivalents to the leisurely sound of Swahili taarab, itself the result of hundreds of years of exchange of musical and poetic ideas across the Indian Ocean.

Founded in 1958, the Culture Musical Club is Zanzibar’s premier taarab club. The orchestra performs widely at concerts in Zanzibar town, but also frequently travels overland with a fold-up stage and an electricity generator to bring its music to the rural areas. The club has released hundreds of songs on the local market and since 1988 they have had five releases on the international market. The group have been performing in Europe regularly since 1996, and in the past few years they have done shows in United States, Dominican Republic and Japan.

Besides taarab, many club members are also active in kidumbak groups, smaller ensembles that play a more down-home, dance-focused music. Both types of music are now included in their shows, contrasting the serene sound of orchestral taarab to the festive and sexually charged dance that is kidumbak.

The taarab orchestra includes three violins, qanun, oud, two accordions, double bass, dumbak, bongos and rika, plus singers and female chorus. The kidumbak side features three violins, sanduku (tea-chest bass), two kidumbak drums, cherewa (maracas) and mkwasa (claves), female chorus & dancers.




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