I've been planning out a trip to Mali and Senegal for a few months and I'm getting ready to leave soon. I failed in persuading Amato to come along-- although I have a feeling if it was Maui instead of Mali, it might have worked. Meanwhile these two west African countries have incredibly rich musical traditions that have had immense impact on popular American music. I've been lucky to have introductions to musicians in both countries. I didn't know much about Bassekou Kouyate-- aside from the fact that he's a cool ngoni player, did some work with Dee Dee Bridgewater and Taj Mahal and that he is at the Royal Albert Hall in London tonight and has a killer My Space page and a wonderful EPK. I'll write back from Bamako after I see him play live in a few weeks. For now, I hope you enjoy his music as much as I do.
BLACK ORPHEUS
Thursday, February 19, 2009
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- Concert Productions International (familiarly, CPI). Major promoter of rock concerts and tours in North America. It was established in Toronto in 1973 as a subsidiary of WBC Productions Ltd by Michael Cohl, William (Bill) Ballard, and Mediagenics Entertainment. CPI-Mediagenics extended its sphere of influence across Canada. CPI=Mediagenics organized many national tours by major rock and pop acts and produced more than 250 concerts and events each year in addition to sporting and theatrical events. With its focus on concert tours, CPI promoted successful tours for the Rolling Stones, David Bowie and Pink Floyd. In 1989 it began to acquire international touring rights for groups such as the Rolling Stones, whose 115-concert Steel Wheels tour 1989-90 in Canada, the USA, Europe, and Japan generated gross revenues reaching an unprecedented $300 million. It also presented artists in several smaller Toronto venues and promoted concerts in other Ontario cities. In 1990 Canadian concerts accounted for about half of some 1000 CPI presentations worldwide.














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